Sony Music Masterworks comprises Masterworks, Sony Classical, Milan Records, OKeh, Portrait and Masterworks Broadway imprints. Pretend You Don't See Her – The Latin Casino All Stars Al Di La – Jerry Vale featuring The Latin Casino All StarsĢ0. New TV Shows on Netflix 1h36m - Classic Movies Hoping to retire after a major heist, Max is thrust into a tense cat-and-mouse game instead when a rival gangster hears about the loot. Qué Rico el Mambo – Pérez Prado Orchestraġ9. Canadian Sunset (Single Version) – Eddie Heywoodġ5. A White Sport Coat (and a Pink Carnation) – Marty Robbins with Ray Conniffġ2. Song of the Barefoot Contessa – Hugo Winterhalter & His Orchestraġ1. Theme for The Irishman – Robbie Robertsonġ0. Tuxedo Junction – Glenn Miller & His Orchestraħ. In the Still of the Night – The Five SatinsĢ. THE IRISHMAN (ORIGINAL MOTION PICTURE SOUNDTRACK)ġ. Spanning decades, the film chronicles one of the greatest unsolved mysteries in American history, the disappearance of legendary union boss Jimmy Hoffa, and offers a monumental journey through the hidden corridors of organized crime: its inner workings, rivalries and connections to mainstream politics. Robert De Niro, Al Pacino and Joe Pesci star in Martin Scorsese's THE IRISHMAN, an epic saga of organized crime in post-war America told through the eyes of World War II veteran Frank Sheeran, a hustler and hitman who worked alongside some of the most notorious figures of the 20th century. It's a whole process, an adventure, and Randy's always up for it." It's never a matter of just finding music from the time period of the story-I always want to go deeper than that. Touchez pas au grisbi (tu.e p o iz.bi, French for 'Don't touch the loot'), released as Honour Among Thieves in the United Kingdom and Grisbi in the United States, is a 1954 French-Italian crime film based on a novel by Albert Simonin. Randy and I discussed so much music for this picture. He started with the harmonica, and then he added the double bass, percussion, and guitar riffs and that was just the right mood. And Robbie built his score from that mood, that instrumentation. At a certain point, I went to a piece of music from a French film of the 50s called Touchez pas au Grisbi, a harmonica theme that felt right. At 50, Max the Liar has never possessed more wisdom about his profession of burglary. I've worked with both of them for many years on many pictures, and there's only one rule that we follow: there are no rules. Growing older is a balancing act between skills that have never been better, and abilities that sometimes betray. In the case of this movie, it was "In the Still of the Night" by The Five Satins: as we started developing the script I started to hear the song in my head, and it became a key inspiration.īecause music is so essential for me, Robbie and Randy are each close collaborators. Touchez Pas Au Grisbi, which was shot over a half century ago, depicts the coming of this new criminal element. This could be seen up close in a grotesque manner in the brilliant Maria Full of Grace (2004) where humans are being regarded as pack mules. When I hear the music, I start seeing the images and the world of the movie starts coming together for me. These films visualize the frightening power money has on people. Of the soundtrack, director MARTIN SCORSESE says, "For me, music is always essential.
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